I thought I’d do a bit of a round up of 5 frequently asked questions about theatre breaks and see if I could find you some good answers.  This is a follow-up to a series of posts I did a couple of years ago so have a look here too: Theatre Breaks FAQ.

Theatre Breaks FAQ

If there is anything I’ve not covered do leave a comment & I’ll try to find out for you.

1. What is the difference between the Stalls and the Dress Circle?

Stalls is short for Orchestra Stalls and is the ‘ground floor’ of the theatre. Some of the best views of performances are from the middle of the stalls. You want to be far enough back to not strain your neck but near enough to see all the action. Seats to the sides of the stalls will sometimes not have quite such a good view but are still probably better than anything in the balcony. I always like to try to get the middle of the middle row of the stalls, if I can.
Dress Circle is the next floor above the Stalls. Good views from here usually. The Dress or Upper Circle is the next one up and  has good views, it might feel a bit less intimate than the stalls but you will see everything.  The Upper Circle is sometimes called the ‘Grand’ or ‘Royal’ at some theatres.
The Balcony is the circle above the Upper Circle and is the cheapest in the theatre. You might need opera glasses if you are up here!

2. Can I book tickets for a Sunday or on Bank Holidays?

Nearly all West End theatres are only open Monday to Saturdays.  A few now offer Sunday shows but they are the exception.  Most theatres only close on Christmas Day. Don’t forget you can sometimes get theatre break packages which include a matinee performance.

3. Are Matinee Performances as Good as Evening Ones? 

Surprisingly enough, yes, especially mid-week matinees! It really can be quite magical to disappear into a theatre on a rainy London afternoon and be transported somewhere totally different for a few hours. Mamma Mia is particularly good for this!

4. When Should I Arrive at the Theatre?

Try to get to the theatre foyer for about 30 minutes before your show.  This will give you chance to pick up your tickets if you need to, order interval drinks, find your seats etc. without a panic. If you are really late you might find yourself not being allowed in until the interval, (which is a real pain!)so give yourself plenty of time to get there.

5. The show I want to see is sold out, is there any way to get a ticket?

If you are having trouble getting the show you want for the dates you have available then it is worth remembering that some nights are busier than others. Saturdays are often the most popular so if you can manage a mid-week show, particularly Monday or Tuesday then you might do better. Agencies that offer theatre breaks packages often have block bookings for the newest, hotest shows. You book your tickets, hotel and maybe travel as an inclusive package and you get to see shows that appear to be sold out, even for Fridays and Saturdays Have a look at our TBM Readers Offers if you are looking for anything in particular or just browsing.

2012 is a special year for the United Kingdom and theatre breaks, not just because of the London 2012 Olympic Games, but also because it’s the The Queen’s Diamond Jubilee year as well. That means a lot of extra activity and tourism in central London which will have an effect on the West End venues and on Theatre Breaks bookings.  Over twenty shows  have responded by extending booking dates early so that you can book early, right now, for all the popular musicals and plays right through into the 2012 celebration year, which may help a lot of people to combine tourism trips and spectating with theatre breaks in London. First the two main events of the year:

The Queen’s Diamond Jubilee

The Department for Culture, Media and Sports is responsible for coordinating the Government’s role for Her Majesty’s Diamond Jubilee celebrations.

Buckingham Palace will be coordinating the Queen’s programme for the Diamond Jubilee, including the arrangements for the central Jubilee weekend in the first week of June 2012.

For further information about the Diamond Jubilee and the events taking place during 2012, please visit direct.gov.uk/diamondjubilee

The London 2012 Olympic and Paralympic games

Olympic Games 27 July-12 Aug 2012

The London 2012 Olympic Games will feature 26 sports, which break down into 39 disciplines.

Paralympic Games 29 Aug-9 Sept 2012

There are 20 sports in the Paralympic programme for the London 2012 Games. Paralympic Cycling breaks down into two disciplines: Road and Track.

Cultural Olympiad

The London 2012 Cultural Olympiad is the largest cultural celebration in the history of the modern Olympic and Paralympic Movements.

London 2012 Festival

The London 2012 Festival is the finale of the four-year Cultural Olympiad, taking place from 21 June to 9 September 2012.

Complementing the sport events at the Olympic and Paralympic Games, the Festival will be the biggest party the UK has ever seen, with a huge range of events from leading artists from all over the world.

Theatre Breaks

To be honest, nobody really knows exactly what effect all of this is going to have on London theatre breaks during the 2012 celebration year. Obviously there is going to be a high demand for hotel accommodation and London is going to be prominent in the world’s attention.  People who are in London anyway may well wish to visit the West End theatres as part of the whole London experience, and there are certainly plenty of great shows on offer this year. Meanwhile the traditional theatre going public may decide to avoid certain dates in order not to get caught up in the crowds and busier traffic. In order to make the most of the 2012 opportunity presented though, the London theatres as a whole have announced extensions to the booking dates for more than 20 popular shows well in advance, so that those with Olympics tickets or other intentions can book theatre breaks as part of their overall London trip  of a lifetime. The shows which have extended so far are as follows:

Some of the shows announcing 2012 booking dates extensions are the following West End musicals and plays:

We Will Rock You

Wicked

The Wizard of Oz

Billy Elliot the Musical

Blood Brothers

Dreamboats and Petticoats

Jersey Boys

The Phantom of the Opera

Mamma Mia!

Legally Blonde the Musical

Ghost The Musical 

Les Misérables

Shrek The Musical

Disney’s The Lion King

Million Dollar Quartet 

The Mousetrap

The 39 Steps

Stomp

Thriller Live

War Horse

The Woman in Black

Rock of Ages 

Matilda The Musical

An occasional list post about current musicals and plays for London theatre breaks.  With a few shows closing at the end of October or in November the list of what’s on for December theatre breaks in the West End should look like this:

Musicals for Theatre Breaks

• We Will Rock You
• Jersey Boys
• Oliver!
• Flashdance
• Wicked
• Love Story
• Blood Brothers
• Dirty Dancing
• Love Never Dies
• Mamma Mia
• Billy Elliot
• Phantom of the Opera
• Lion King
• Les Miserables
• Priscilla Queen of the Desert
• Thriller Live
• Grease
• Chicago
• Stomp
• Legally Blonde

Plays and Other Theatre Breaks

• The Mousetrap
• War Horse
• Deathtrap
• An Ideal Husband
• Ghost Stories
• Yes Prime Minister
• Birdsong
• Onassis
• The 39 Steps

For example, just arrived in London is a play called Deathtrap which is a big production with four great actors and a fantastic set, a proven playscript because it’s been on before in Broadway for a very long run as it happens, and in London once before in the 1980s. But if you want to book theatre breaks to see Deathtrap then you would need to have a date in mind that is before 22nd of January,  2011. That may seem a long way away, but once you start thinking about Christmas and New Year theatre breaks , the time has been and gone!

Simon Russel Beale is in Deathtrap

Deathtrap is one of the bigger productions but there are some others coming up for short runs as well.

The Arthur Miller play – “All My Sons” finished on 2nd October 2010

Season’s Greeting by Alan Ayckbourn starring Catherine Tate opens on December 8th 2010

Top tip for 2011 drama theatre breaks will be Blithe Spirit, a Noel Coward comedy starring Ruthie Henshall and others.

But if you want to see a Noel Coward before next year then Design For Living is on at the Old Vic until November 27th 2010.

Yes Prime Minister is a comedy play based on the TV series but brought up to date for Gielgud Theatre which opened on 16th September 2010 booking through til 15th January 2011. This would be a good bet for theatre breaks in London too.

And if you prefer Oscar Wilde, then “An Ideal Husband” is at the Vaudeville Theatre from 4th November 2010 to 19th February 2011

Theatre breaks in London are an excellent way of having a short holiday in the capital. You can combine a show with sight-seeing and a little shopping and turn a couple of days into a real mini-break.

When you are choosing your main show you need to decide whether you want to see a musical, a play or even an opera or ballet. There is lots of choice in the West End and you can be sure of finding something just right for you.

Choose Your Show

Many people have no clear idea of which show they want to see and are more fixed on what is available for their chosen dates. That’s a perfectly good starting point and most of the theatre breaks companies will let you search their site by date not just by show. If you are still not sure what you fancy then this is a brief guide:

If you like the classics then go for Les Miserables, Phantom of the Opera, Oliver! or Love Never Dies, which is the sequel to Phantom.

If you prefer something lighter then try Mamma Mia, Hairspray or the unexpected hit of the moment Legally Blonde.

Those of you who like a bit more rock in your musicals might enjoy We Will Rock You, Jersey Boys or maybe Grease.

Finally if you want something a little more steamy there are Dirty Dancing and Chicago.

There are usually at least twenty big shows on offer in the West End so there should be something for everyone.

One Night or Two

Once you have chosen your show and hotel you will often see that it is easy and very reasonably priced to add an extra night. This is a great idea if your budget can run to it as it lifts your theatre break from a quick trip into a mini-holiday . It opens lots of opportunities for other things to do in London.

I’ve included a few ideas for what to do with the extra time:

See more shows

theatre breaks in London

If you have only got a limited time in London and you are a big theatre fan you might even want to see more than one show. The best way to do this is to book your main show as part of your theatre break package, see the show on your first night and then the following morning pop down to Leicester Square and look for the official discount ticket booth. You want the official one in the middle of the square.

There are others but that is where you get the best deal. They have a large digital display of all the discount tickets available for that day and if you are early enough you can often get a real bargain, especially for weekday matinees. I usually like to book a blockbuster musical as my main show and see either a comedy or a serious play on the following afternoon. Try to choose something you would happily pay full price for and then you will really feel you have got a bargain. There are often tickets for Blood Brothers or 39 Steps matinees at good prices and these are both excellent shows.

Sightseeing

You might want to cram in a little sightseeing in London and that can be quite hard work. London is a busy working city and quite spread out to get around on foot. Luckily there are several other ways of seeing the sites. My favorite way of seeing London is a river cruise but open top bus trips are good fun too. If you are feeling adventurous you can even try the Duck which is an amphibious truck that combines both a road and river trip. You can book bus trips, river trips and even the Duck at the same time as you book your theatre breaks package and usually get quite a good discount.

Other Attractions

• The Southbank including the National Theatre
• London’s famous street  Markets
• Dennis Severs House
• 21 top attractions to add to theatre breaks in London

Dennis Severs House is actually a brilliant place to visit. Having been there several times I’d especially recommend going soon before Christmas because they do it up just like old Christmases past, and the smells are simply heavenly. Each floor of the house depicts a different era. You have to be silent though. A great place to just sit & relax. Dennis Severs lived here & created it & invited special guests to experience it in the way he wanted it to be experienced. One of the truly greatest experiences that London has to offer, a unique experience.

Dennis Severs House - 18 Folgate Street

Oliver! London Theatre At It’s Best

I think Oliver! is a great choice for a theatre break. The elements of an emotional story from the master storyteller, a superb cast and  wonderful songs we all already know and love is hard to beat. Add in some delightful urchins, a backdrop of semi-familiar London sights and you have got a real treat!

The Story, Oliver! London musical

The musical version of Oliver! is not quite as bleak a vision as that of the book. Fagin is transformed and although still a rogue he does have moments of being almost lovable. We are treated to some marvelous set pieces like the scene in the orphanage and of course Fagin’s Den with his band of ragamuffins. What happens to Nancy is still a shock but in the end good triumphs over evil and we all have the feeling we’ve just enjoyed a wonderfully satisfying meal with all the trimmings.

The Cast of Oliver!

Oliver London

We all followed the story of Jodie Prenger as she fought her way through each round of I’d Do Anything but few of us realised what a great Nancy she would actually be. Since the show started back in December 2008 Jodie has consistently given stunning performances. She has provided the chore around which a number of Olivers and Fagins have been able to weave their own interpretations of Dickens’s heart-breaking story. Without a totally believable, warm and lovable Nancy the whole story would fall flat.  Jodie has filled that role with a passion.

Soon, though, Jodie is moving on and the next few months will give us our last chance to see her in the role.  That alone would be enough to make this a ‘must see’ show but the exciting news is that the wonderful Kerry Ellis is going to take over in the role. Kerry has a very different quality to her voice and I think she will give us a much more waif like Nancy. In some ways her fragility with that inner steel that she showed so well in her performances as Elphaba (Wicked) will be much closer to Dickens’s vision. It’s going to be an interesting transfer and  one that will definitely be worth seeing.

The newest member of the cast at the moment is Griff Rhys Jones who has just taken over as Fagin. He will be in the show for at least the next 6 months and seems to be relishing the part of the wily, old scoundrel. Jones has a good strong voice and plenty of West End experience having won a double Olivier award for his roles in Charlie’s Aunt and An Absolute Turkey

Also new in the current cast  is Stephen Hartley, though he is far from new to the role of Bill Sikes. He played Sikes in the Palladium production of Oliver in the 1990s. Physically he is closer to Dickens’s description of Sikes than the role is sometimes played and none the worse for that.

The Music

I think I’ll just let the music speak for itself!

Hotels for Oliver! London Theatre Breaks

As Oliver! plays at the Theatre Royal Drury Lane I’d go for a central hotel, somewhere like the 4* Strand Palace would be ideal. It is definitely a bit of affordable luxury and is close to the theatre and to the shops, restaurants and bars of Covent Garden. If you are on a slightly tighter budget the 3* St Giles Hotel is only 1/2 a mile away and is jolly nice.

So there you have it, a quick guide to Oliver! London, one of my top 5 choices for theatre breaks. You can click through to read more about Oliver! London.

Billy Elliot London

Billy Elliot London

Billy Elliot the musical started in London in 2005 at the Victoria Palace Theatre. It was based on the 2000 film Billy Elliot with a book by Lee Hall (who wrote the original screen play) and music by Sir Elton John. The film was a hard act to follow. Everyone remembered Julie Walters as the ballet teacher and Gary Lewis as Billy’s coal mining father and it was tricky to see how Billy could ever become a musical. Despite any worries the show was an instant hit with both the public and the critics and it has remained so ever since.

The Story of Billy and of the Miners Strike

Billy Elliot is a young boy who develops a passion for ballet growing up in County Durham in the early 1980s at the time of the miners’ strike. It’s quite strange to see a time I vividly remember portrayed on the stage and they do play slightly with the chronology of events. You really don’t need to know the history of the miners strike to appreciate the show. Your emotions and sympathies are guided through the passage of the story and in some ways knowing too much about the real events of the time can get in the way.

It is interesting to note that two of the best loved musicals on in London at the moment both have their origins in Northern working class sensibilities (Billy and Blood Brothers). Both shows focus on the warmth and humour of the North but neither shies away from some fairly grim aspects. The musical show tells the human story of Billy and his family with great compassion and clarity. I’m not going to go into the plot in great depth here as there may be some people (from Mars?) who don’t already know the story. suffice it to say the story is moving and entertaining.

The Music

The music is stunning. Elton John was definitely on top form when he wrote this and it’s really hard to pick out one or two numbers to share with you. So I decided to go for this medley to give you a flavour of the show:

The Billys

The role of Billy Elliot is hugely demanding of young actors. Billy has to be between 9 and 13 years old, 5′ or less, a terrific dancer and have a beautiful unbroken voice. To find one boy like that would not be easy but the role is actually shared between at least 3 or 4 Billy Elliots. This allows the boys to work within the UK legislation regarding child actors. Whilst there are several children in West End shows at the moment few carry the weight of the show in the same way that the child who plays Billy must.

Typically the boys who have play Billy are aged around 12 and have usually been dancing for at least 3 years before auditioning for the show. Often they will have studied ballet, tap, jazz and contemporary dance, competed in several competitions before they eventually audition for Billy Elliot London. Auditions for the show go on continuously and successful applicants move to London live in Billy Elliot House. There they continue with their normal school studies in addition to working on their singing and dancing.

Hotels for Billy Elliot

Billy is not in the main area of the West End but in Victoria, near to the Apollo (Wicked). You can either decide you want to stay somewhere closer to the shops or look for a hotel that’s handy for the theatre. I’m quite fond of the area round Victoria so I’d probably opt for a hotel near the theatre if it was just overnight. There are lots of nice little places to eat, there’s St James’s Park if you fancy a walk, you are not far from the river and Tate Britain if you feel like some art. Actually the restaurant in Tate Britain is lovely for lunch, a little pricey but very pleasant! Victoria is also very convenient for public transport and at weekends buses provide a surprisingly good way of getting round the city. I’m not a huge fan of the tube and London buses do give a chance to see where you are going!

My first choice would be the 4* Crown Palace London St James. It’s a lovely hotel, usually offers a full English breakfast in with the price and is handy both for the theatre and for St James’s Park. It’s less that 1/4 of a mile from the theatre and offers a bit of surprisingly affordable luxury. Keep in mind that a more central 3* hotel could end up costing more per person and often does not include a substantial English breakfast.

Seats at Billy Elliot London

When you book with some agencies they will give you quite a wide range of seating options. It is often the case that you get what you pay for with these deals, lowest cost seats will be further away from the action. Having said that it would be very unusual for the theatre break package companies to offer tickets with a restricted view without telling you in advance. Other agencies offer a choice of top seats ( in the stalls or dress circle) or best available seats (stalls, dress circle, or upper circle). The upper circle is known as the grand circle in the Victoria Palace Theatre.

The Victoria Palace is an old theatre and my recommended seats are undoubtedly those in the middle of the stalls as they offer the most leg room, a good view and good value for money.

So there you go, a quick guide to Billy Elliot, London, an ever popular choice for theatre breaks. You can click through to read more about Billy Elliot London

Cat On A Hot Tin Roof is a play by Tennessee Williams that has been a great success on Broadway for four months and now comes to the Novello Theatre in London with most of the original cast. Set in the deep South of the USA in the early part of last century, this adaptation of Cat On A Hot Tin Roof is remarkable for having a cast of all black actors, or African Americans as the politically correct but technically incorrect  Americans would say, since the lead role, Brick is played in London by a British actor.

If you’re looking to see a serious play in London, full of drama and intrigue, unafraid to tackle the heavyweight topics of human relationships, then Cat On A  Hot Tin Roof would be the one to choose for a high-brow theatre break in London without any music and dancing. The acting in this one is very powerful indeed, and at times humorous, while the brilliant writing of Tennessee Williams drives the plot forwards so you would never notice the hours passing.

James Earl Jones as Big Daddy

James Earl Jones (the voice of Darth Vader) was born to play the part of Big Daddy, and Adrian Lester in the part of Brick does a magnificent job of anchoring the whole show around him, while his stage wife,  “Maggie the cat” played by Sanaa Lathan does most of the talking.

James Earl Jones is well known for his deep bass voice and he puts it to good use in the role of Big Daddy. As child he had elective mutism due to a very severe stammer and dyslexia, both of which he eventually overcame. Jones grew up in Mississippi and says he know men just like the old plantation owner.  He is older than you might think  at 78 and remembers seeing Burl Ives in the role when Cat on a Hot Tin Roof first opened on Broadway in 1955. He says he has been wanting to play the role for many years and has modeled his performance on that of Ives.

The production team seem genuinely excited to be bring this show to London and it does seem likely that the people of the UK as a whole will respond by bringing an appreciative new audience in to the West End of London for the four and a bit months that Cat on A Hot Tin Roof provides the opportunity for.

Theatre Breaks Magazine is all about doing the research for you. I recently did a series of posts on the  most frequently asked questions about theatre breaks. Here’s a quick summary of the Top 10 most frequently asked questions and the answers. You’ll find more details in the individual FAQ posts.

Theatre Breaks Frequently Asked Questions

1. Is it safe to book online?

Yes, the big online theatre breaks agencies are very reputable and are all set up to provide you with a safe, secure way of getting the theatre break you want.

2. How do I get my tickets?

Theatre breaks agency vary, some send your tickets by post, others leave them at the Box Office for you to collect.

If they are left at the box office it usually opens about 1 hour before the show. You need to collect your tickets at least 30 mins before the performance starts.

3. What time should we arrive at the theatre?

You need to be sure to arrive at the theatre at least half an hour (30 mins) before the performance starts. There is a bar in most theatres and some even let you take drinks in to the theatre these days.

Once you are in take a trip to the loo, queues during the interval can be long, especially for the Ladies!

4. Do we need to dress up?

Not unless you want to! There is no strict dress code for any of the theatres in London. Smart/Casual is usually fine, some people may even be wearing jeans. Lots of people find they like to dress up, makes it more of an occasion. Do wear something comfortable and not too hot. The theatres are warm places even in winter.

5. What if I can’t use my theatre break or I need to change the date?

Theatre breaks and tickets are usually sold on a no refund, no exchange basis. You can often arrange to transfer them to someone else or, very occasionally, the agency might buy them back from you. They are very unlikely to let you change the dates. If you are really stuck try phoning the agency.

Remember if you have general travel insurance you might be at least partially covered, so check.

6. What if I’m late arriving at the theatre? Or the hotel?

Unless you are very lucky if you’re late you will be asked to wait, possibly even until the interval! Don’t be late! Be there 30 mins before the performance.

If you are delayed arriving at the hotel, your room is booked but it’s best to let them know to expect you to check in later.

Make sure you have the hotel phone number with you and give them a ring.

7. How many nights in the hotel can I book?

You specify the number of nights and the day you would like to see the show when you book. Often there’s a good deal on an extra night or two. You can’t usually book more than 4 or 5 nights.

8. Will I get good seats?

This rather depends on the agency you choose. Most theatre break agencies tell you in advance what level of seats you can expect. Some will be very specific and give seat numbers, others just specify ‘top price tickets’ (stalls or dress circle). Watch out for very cheap theatre break deals that don’t specify your seats. You could end up with a restricted view!

9 What about parking?

If the hotel offers parking it is always mentioned in the description. Often it will mean an extra charge, usually between £15 and £20.

Don’t forget about Congestion Charging. This applies between 7.00am and 6.30pm, Monday to Friday and is £8 per day.

Worth mentioning that many of the theatre breaks agencies offer discounted rail tickets to include in your package and these are often a better idea than taking the car into central London.

10. Can I take the family?

Short answer

Yes, but children must be at least 5 and you might struggle to find family friendly packages suitable for under 10s.

Longer Answer

They need to be able to sit in their own seat and pay attention. There’s usually a disclaimer at the theatre which says something like:

Admittance to the auditorium shall always be at the discretion of the management.

This translates as – if they misbehave and/or disturb people, you’re out and you’ve no chance of a refund.
Some theatre break packages do not cater for family groups at all and many only book either double or twin rooms. You’ll need to shop around but it can be done!

Your Questions About Theatre Breaks

Do you have any questions about theatre breaks? Just leave them in the comments here and I’ll do my best to find the answers so that you can book your theatre break with confidence.