2012 is a special year for the United Kingdom and theatre breaks, not just because of the London 2012 Olympic Games, but also because it’s the The Queen’s Diamond Jubilee year as well. That means a lot of extra activity and tourism in central London which will have an effect on the West End venues and on Theatre Breaks bookings.  Over twenty shows  have responded by extending booking dates early so that you can book early, right now, for all the popular musicals and plays right through into the 2012 celebration year, which may help a lot of people to combine tourism trips and spectating with theatre breaks in London. First the two main events of the year:

The Queen’s Diamond Jubilee

The Department for Culture, Media and Sports is responsible for coordinating the Government’s role for Her Majesty’s Diamond Jubilee celebrations.

Buckingham Palace will be coordinating the Queen’s programme for the Diamond Jubilee, including the arrangements for the central Jubilee weekend in the first week of June 2012.

For further information about the Diamond Jubilee and the events taking place during 2012, please visit direct.gov.uk/diamondjubilee

The London 2012 Olympic and Paralympic games

Olympic Games 27 July-12 Aug 2012

The London 2012 Olympic Games will feature 26 sports, which break down into 39 disciplines.

Paralympic Games 29 Aug-9 Sept 2012

There are 20 sports in the Paralympic programme for the London 2012 Games. Paralympic Cycling breaks down into two disciplines: Road and Track.

Cultural Olympiad

The London 2012 Cultural Olympiad is the largest cultural celebration in the history of the modern Olympic and Paralympic Movements.

London 2012 Festival

The London 2012 Festival is the finale of the four-year Cultural Olympiad, taking place from 21 June to 9 September 2012.

Complementing the sport events at the Olympic and Paralympic Games, the Festival will be the biggest party the UK has ever seen, with a huge range of events from leading artists from all over the world.

Theatre Breaks

To be honest, nobody really knows exactly what effect all of this is going to have on London theatre breaks during the 2012 celebration year. Obviously there is going to be a high demand for hotel accommodation and London is going to be prominent in the world’s attention.  People who are in London anyway may well wish to visit the West End theatres as part of the whole London experience, and there are certainly plenty of great shows on offer this year. Meanwhile the traditional theatre going public may decide to avoid certain dates in order not to get caught up in the crowds and busier traffic. In order to make the most of the 2012 opportunity presented though, the London theatres as a whole have announced extensions to the booking dates for more than 20 popular shows well in advance, so that those with Olympics tickets or other intentions can book theatre breaks as part of their overall London trip  of a lifetime. The shows which have extended so far are as follows:

Some of the shows announcing 2012 booking dates extensions are the following West End musicals and plays:

We Will Rock You

Wicked

The Wizard of Oz

Billy Elliot the Musical

Blood Brothers

Dreamboats and Petticoats

Jersey Boys

The Phantom of the Opera

Mamma Mia!

Legally Blonde the Musical

Ghost The Musical 

Les Misérables

Shrek The Musical

Disney’s The Lion King

Million Dollar Quartet 

The Mousetrap

The 39 Steps

Stomp

Thriller Live

War Horse

The Woman in Black

Rock of Ages 

Matilda The Musical

We’re always on the look out for new plays and venues for visitors here on London breaks to add to the possibilities for an extra evening out at the theatre, and it doesn’t always have to be in the West End by any means. There are theatre pubs, fringe theatres, off-west-end theatres and regional theatres all within the M25, many within central London itself. The play that was brought to our notice is called “Enlightenment” written by Shelagh Stephenson and directed by Edward Hall, Hampstead Theatre’s new Artistic Director.

So Monday night took us to see the venue for the first time, right next to the Swiss Cottage roundabout and tube station. Arriving inside Hampstead Theatre felt more like visiting a leading performing arts centre for one of the major UK cities, like Canterbury or St Andrews, or Exeter. Not knowing anything much about ‘Enlightenment’ beforehand, I was able to deliberately keep an unprepared mind for the unfolding emotional drama as the plot weaved its way through the minefields of improbability. There was a small scientific thread in there somewhere, citing a theory akin to or possibly preceding chaos theory which needs further investigation but the big story was a classic human tragedy investigating the nature of identity and touching themes designed to disturb the audience’s sensibilities particularly poignant to parents. As a father myself, I feel particularly well placed to understand the two main characters anguish at not knowing the fate of their missing son.

The Hampstead Theatre is an impressive modern theatre venue, small enough to be intimate and with perfect acoustics and yet large enough to stage quality serious theatre productions, drawing in audiences from all over the capital, with excellent transport links on the fast Jubilee line and all the central connections just a few stops away, so this would be a sensible logistical addition to any London Breaks package.

Enlightenment is a traditionally constructed play in two acts with a beginning, middle and end, realistic characters, a straightforward time line and just about believable events. There are moments where the sanity of everybody is questioned, but that is a reasonable thing for a play to do. The staging is impressively modern and effective with good use of additional sound and video, back projection and slick scene changes with transparent rising and falling furniture. Maybe it was just me but upstairs and downstairs became strangely confused, or was it deliberate? Nothing is quite as it seems with this play which has been running since September, so the acting should be well bedded in by now. There were times when I though the playscript was possibly a class above the performance, but in the second act I dropped that misgiving, particularly with all three female characters who worked well together, and the addition of a sixth character in the second act pulls the whole play together and leaves you on the edge.

Cast:
Daisy Beaumont
Richard Clothier
Paul Freeman
Julie Graham
Polly Kemp
Tom Weston-Jones

An occasional list post about current musicals and plays for London theatre breaks.  With a few shows closing at the end of October or in November the list of what’s on for December theatre breaks in the West End should look like this:

Musicals for Theatre Breaks

• We Will Rock You
• Jersey Boys
• Oliver!
• Flashdance
• Wicked
• Love Story
• Blood Brothers
• Dirty Dancing
• Love Never Dies
• Mamma Mia
• Billy Elliot
• Phantom of the Opera
• Lion King
• Les Miserables
• Priscilla Queen of the Desert
• Thriller Live
• Grease
• Chicago
• Stomp
• Legally Blonde

Plays and Other Theatre Breaks

• The Mousetrap
• War Horse
• Deathtrap
• An Ideal Husband
• Ghost Stories
• Yes Prime Minister
• Birdsong
• Onassis
• The 39 Steps

For example, just arrived in London is a play called Deathtrap which is a big production with four great actors and a fantastic set, a proven playscript because it’s been on before in Broadway for a very long run as it happens, and in London once before in the 1980s. But if you want to book theatre breaks to see Deathtrap then you would need to have a date in mind that is before 22nd of January,  2011. That may seem a long way away, but once you start thinking about Christmas and New Year theatre breaks , the time has been and gone!

Simon Russel Beale is in Deathtrap

Deathtrap is one of the bigger productions but there are some others coming up for short runs as well.

The Arthur Miller play – “All My Sons” finished on 2nd October 2010

Season’s Greeting by Alan Ayckbourn starring Catherine Tate opens on December 8th 2010

Top tip for 2011 drama theatre breaks will be Blithe Spirit, a Noel Coward comedy starring Ruthie Henshall and others.

But if you want to see a Noel Coward before next year then Design For Living is on at the Old Vic until November 27th 2010.

Yes Prime Minister is a comedy play based on the TV series but brought up to date for Gielgud Theatre which opened on 16th September 2010 booking through til 15th January 2011. This would be a good bet for theatre breaks in London too.

And if you prefer Oscar Wilde, then “An Ideal Husband” is at the Vaudeville Theatre from 4th November 2010 to 19th February 2011

Theatre breaks in London are an excellent way of having a short holiday in the capital. You can combine a show with sight-seeing and a little shopping and turn a couple of days into a real mini-break.

When you are choosing your main show you need to decide whether you want to see a musical, a play or even an opera or ballet. There is lots of choice in the West End and you can be sure of finding something just right for you.

Choose Your Show

Many people have no clear idea of which show they want to see and are more fixed on what is available for their chosen dates. That’s a perfectly good starting point and most of the theatre breaks companies will let you search their site by date not just by show. If you are still not sure what you fancy then this is a brief guide:

If you like the classics then go for Les Miserables, Phantom of the Opera, Oliver! or Love Never Dies, which is the sequel to Phantom.

If you prefer something lighter then try Mamma Mia, Hairspray or the unexpected hit of the moment Legally Blonde.

Those of you who like a bit more rock in your musicals might enjoy We Will Rock You, Jersey Boys or maybe Grease.

Finally if you want something a little more steamy there are Dirty Dancing and Chicago.

There are usually at least twenty big shows on offer in the West End so there should be something for everyone.

One Night or Two

Once you have chosen your show and hotel you will often see that it is easy and very reasonably priced to add an extra night. This is a great idea if your budget can run to it as it lifts your theatre break from a quick trip into a mini-holiday . It opens lots of opportunities for other things to do in London.

I’ve included a few ideas for what to do with the extra time:

See more shows

theatre breaks in London

If you have only got a limited time in London and you are a big theatre fan you might even want to see more than one show. The best way to do this is to book your main show as part of your theatre break package, see the show on your first night and then the following morning pop down to Leicester Square and look for the official discount ticket booth. You want the official one in the middle of the square.

There are others but that is where you get the best deal. They have a large digital display of all the discount tickets available for that day and if you are early enough you can often get a real bargain, especially for weekday matinees. I usually like to book a blockbuster musical as my main show and see either a comedy or a serious play on the following afternoon. Try to choose something you would happily pay full price for and then you will really feel you have got a bargain. There are often tickets for Blood Brothers or 39 Steps matinees at good prices and these are both excellent shows.

Sightseeing

You might want to cram in a little sightseeing in London and that can be quite hard work. London is a busy working city and quite spread out to get around on foot. Luckily there are several other ways of seeing the sites. My favorite way of seeing London is a river cruise but open top bus trips are good fun too. If you are feeling adventurous you can even try the Duck which is an amphibious truck that combines both a road and river trip. You can book bus trips, river trips and even the Duck at the same time as you book your theatre breaks package and usually get quite a good discount.

Other Attractions

• The Southbank including the National Theatre
• London’s famous street  Markets
• Dennis Severs House
• 21 top attractions to add to theatre breaks in London

West End breaks are a great way to really get to know the glitziest area of London. Staying in the West End for a few days gives you a chance to see the capital and really get familiar with one small part of the metropolis. London can seem a bit overwhelming when you have to whiz about on the tube. Staying in one area where everything is within walking distance really helps you to connect with the city and start to feel comfortable with it.

Things to do in the West End

See a show, or even two.

West End breaks - The Mousetrap

The West End has some of the best shows and theatres in the world. Everything from the quintessentially English The Mousetrap to the Broadway production of Cat on a Hot Tin Roof can be found within a few minutes walk. If you are booking a West End break to see one show why not try fitting in a matinée of another as well? You can get half price tickets for many matinees actually on the day at the Official Ticket Booth on Leicester Square. Do not be seduced by deals at the other so-called discount booths as these are often overpriced once you add in booking fees etc. If you do not feel like another show you could even check out the latest films in Leicester Square. If you are lucky you might happen on some stars attending the latest world premier!

Shop till you drop

Shopping during a West End break is easy and fun. You are within walking distance of Covent Garden where there’s a wonderful selection of interesting little shops, the Apple Market (which is full of crafts and antiques) and The Jubilee which is a fascinating market. On Mondays, Antiques; from Tuesday-Friday clothing and household goods, and on Saturday and Sunday arts and crafts.
Venture a little further and you find one of the biggest shopping centres in Europe in Oxford St, Bond St and Piccadilly Circus. There you will find all the high end fashion and major shops you might want. Where the West End really scores though is with little unique shops in Seven Dials and Carnaby St which will intrigue and tempt you in to look at and buy things you didn’t even know you needed.

Eat the world

Food on a West End break is very easy to organise. You might want to book your pre-theatre dinner when you book your break. Most companies offer good deals on early dinners and restaurants are used to making sure you have had your meal with plenty of time to spare for what is usually a short walk to the theatre. It is so much more relaxing than trailing across London after you’ve eaten and worrying about getting to the show on time.
The West End has lots of restaurants and they are always changing. You can eat in just about any style you fancy from Classic French to Japanese and just about everything in between. In Covent Garden you can even get a real Cornish pasty and a pint of genuine Cornish beer if that is what you fancy. Check the menu boards outside if you are worried about the prices but most places are fairly reasonable. London’s reputation for being expensive really is not deserved and prices compare very favourably with tourist traps like the Lake District and the Yorkshire Dales. For real food bargains head for Soho and explore China Town. It is just a short walk but a world away.
West End breaks are a great way to get to know London and I hope this little introduction will help you to see that London is definitely worth getting to know.

Cat On A Hot Tin Roof is a play by Tennessee Williams that has been a great success on Broadway for four months and now comes to the Novello Theatre in London with most of the original cast. Set in the deep South of the USA in the early part of last century, this adaptation of Cat On A Hot Tin Roof is remarkable for having a cast of all black actors, or African Americans as the politically correct but technically incorrect  Americans would say, since the lead role, Brick is played in London by a British actor.

If you’re looking to see a serious play in London, full of drama and intrigue, unafraid to tackle the heavyweight topics of human relationships, then Cat On A  Hot Tin Roof would be the one to choose for a high-brow theatre break in London without any music and dancing. The acting in this one is very powerful indeed, and at times humorous, while the brilliant writing of Tennessee Williams drives the plot forwards so you would never notice the hours passing.

James Earl Jones as Big Daddy

James Earl Jones (the voice of Darth Vader) was born to play the part of Big Daddy, and Adrian Lester in the part of Brick does a magnificent job of anchoring the whole show around him, while his stage wife,  “Maggie the cat” played by Sanaa Lathan does most of the talking.

James Earl Jones is well known for his deep bass voice and he puts it to good use in the role of Big Daddy. As child he had elective mutism due to a very severe stammer and dyslexia, both of which he eventually overcame. Jones grew up in Mississippi and says he know men just like the old plantation owner.  He is older than you might think  at 78 and remembers seeing Burl Ives in the role when Cat on a Hot Tin Roof first opened on Broadway in 1955. He says he has been wanting to play the role for many years and has modeled his performance on that of Ives.

The production team seem genuinely excited to be bring this show to London and it does seem likely that the people of the UK as a whole will respond by bringing an appreciative new audience in to the West End of London for the four and a bit months that Cat on A Hot Tin Roof provides the opportunity for.

Linda looks back on 2009 for London Theatre Breaks as the top of the year approaches:

Winter 2009 is here and I’m just wondering what sort of a year this has been for theatre breaks. There’s been a recent survey that assures us reality TV has actually boosted ticket sales. The box offices are claiming the credit crunch has had little effect on bookings, with most theatres usually full. But what has been the reality?

The West End Shows

In terms of shows one or two have closed early but the old favourites like We Will Rock You carry on. Avenue Q was saved from oblivion by popular demand and has moved to a new theatre. The Lion King is as popular as ever and proudly boasts that it is so well booked that it has NEVER released tickets to the reduced ticket agencies.

Priscilla Queen of the Desert

Some good shows reached the end of their natural life and wonderful though Spamalot was it really was time for it to say goodbye. It’s been replaced by Priscilla and that has been a fair swap. Carousel never really quite hit the spot and its closure wasn’t any great surprise. It was sad to see the end of Cabaret and a shame they couldn’t take a leaf out of Chicago’s book and find a constant stream of new familiar faces to keep us going back.  Joseph went too and no doubt was mourned by thousands of Lee Mead’s fans but it was another how that seemed ready to go. No doubt it will be back someday.

One show I thought should have done better was Spring Awakening, which I just loved. All that energy and a theatre full of young people the night we went. I felt positively ancient, and that’s a good thing! (honest!)

Oliver has of course been a total triumph with Jodie Prenger making a real name for herself. Who would have thought she’d still be there doing 8 shows a week nearly a year later? What a star. I saw her at West End live this year and she has a super voice and a lovely stage presence. She managed to upstage Christopher Biggins, to great comic effect and that takes some talent for comedy! I think we’ll see more of Jodie once she moves on but for now she seems happy where she is. She’s on her 3rd Fagin and this is the one I’d really like to see. I think Griff Reese Jones will make a great Fagin and be well worth the trip.

Hairspray has seen some major changes with the departure of Micheal Ball. Still Phil Jupitous is doing a grand job and Brain Connely was very well recieved in the part. I wonder how long Micheal will stay away, I’m sure I heard somewhere that he’s thinking of coming back to Edna. We hope!

Wicked is going from strength to strength and is the most popular musical at this witchy time of year. Kerry Ellis is just a distant memory now and Alexia Kadhim has made her own interpreation of Elphaba. I think she has a lovely voice, quite different to Kerry’s but wonderful all the same:

New shows coming into the West End and available for theatre breaks include Legally Blonde which I was less than keen on when first announced. Since then I’ve had a good look at the videos on youtube and listened to the cast recordings and I might just change my mind. It might be fun and has the sort of casting that makes me want to see it.

What to say about Love Never dies (apart from “I can’t wait!!”)? Well it’s definitely going to be a huge event and it should be a spectacular in the best Andrew Lloyd Webber tradition. The Coney Island setting should give it a great atmosphere, you know how creepy fairgrounds can be. We’ve all seen Scoobydoo   It’s got two faboulous stars in Sarah Boggess and Ramin Karimloo (I’ve been doing this so long I can now spell these names without flinching!)

In the next part of this annual theatre breaks review I’ll be looking at the travel implications and prospects for London theatre breaks into 2010.

Flaming June comes around just after Spring has well and truly sprung, but before the main Summer holidays, which is in some ways ideal for theatre breaks with outdoor things to do in London. The river trips and topless bus tours come into their own at this time of year, as do the green spaces and parks.

West End Live

For the West End, there’s one special event which comes around each year usually around the third week and that’s West End Live. It’s a free entertainment festival put on in central London’s Leicester Square, right in the heart of theatreland, which serves to promote individual shows which take part and the West End as a whole. Participation varies, for example with Hairspray sending a full cast in costume to perform one number to kick of the show in 2009, and others such as Oliver and Wicked sending along one star to do a big number solo.

West End Live takes place over one weekend towards the end of June and I’m not suggesting anybody hangs around for the whole thing from start to finish, especially if your time in London is limited. Standing up for that length of time is exhausting enough and there’s a certain amount of waiting about between acts. It’s not really worth arriving early and queuing up to get inside the square for the start either, as the queues do build up to quite a length with people wanting to bag a place near the front but it definitely is worth dropping in for an hour or as proceedings get going and the crowds stabilise , and catching any shows you particularly want to see by keeping an eye on the programme of events. This will be found each year on the London Theatre Breaks blog in the West End Live section and they do stick very closely to the times stated because the singers and dancers need to know exactly when they will be on so they can schedule it in amongst rehearsals and even matinee performances on the Saturday.

To give a sample of the happy atmosphere and the kind of performances to expect live in the square here are a few crowd videos from theatre breaks youTube.

Wicked

Alexia Khadime from Wicked sings The Wizard and I.

Priscilla Queen of The Desert

All singing All dancing All camp Priscilla

We Will Rock You

Every year the cast from We Will Rock You put on a big show with a full cast in costume doing several numbers

Oliver!

Jodie Prenger from Oliver sings As Long as He Needs Me

Chicago

In 2009 the cast of Chicago included none other than Jerry Springer

Other Things to do in June

Long light evenings are conducive to wandering about outdoors and pavement cafe meals in interesting side streets. Hyde Park and Regents Park are best known but the smaller St James Park is close by Victoria and Westminster and features a bandstand with live music sometimes, an airy Inn The Park with beautiful roof terrace, and a lake with exotic ducks geese and pelicans.

West End Guide shows and theatres May09

When you are thinking about shows for theatre breaks you can use our West End Guide to What’s on Where to get an idea of the size of the theatres.
This can be very useful when you are looking for a show but you aren’t really sure what you want to see.
Bigger productions like Sister Act or Wicked are in the largest theatres whereas something like Stomp, although it’s still great fun, isn’t in quite such a spectacular setting.

Of course size isn’t everything when it comes to theatres. Phantom of the Opera and Les Miz are both in smaller, older theatres but the theatres are quite grand and their productions are still full of spectacle.